Tag Archives: Classical

Tschaikovsky’s March Slave Theme | Intermediate Fingerstyle Arrangement by Lukas Wedrychowski| Free Tabs / Notation Download

Hey everyone,


here’s my arrangement of Tschaikovsky’s “March Slave”. It is meant to be an arrangement for the intermediate player or maybe “late-beginner”, as it includes harmonics and some more advanced techniques such as slides (from a beginner’s perspective).

I hope you enjoy this version of it. Please, consider subscribing to my YouTube channel as well as sharing my videos on your socials and giving my videos a thumb up if you liked it! This helps me out a lot as I am still growing!

Thank you so much!


I wish you an amazing day,



Click the link below to download the arrangement.

Pjotr Iljitsch Tschaikowski – March Slave – Intermdiate Theme

50 Right Hand Techniques You Must Know by Muriel Anderson and Truefire.com

50 Right Hand Techniques You Must Know by Muriel Anderson and Truefire.com


Author:             Muriel Anderson

Genre:              Acoustic / Universal

Style:                Fingerstyle / Universal

Level:                Beginner / Late Beginner / Intermediate / Late Intermediate / Advanced

Features:          Tabs (.pdf) & GP5 files

Lessons:          53 Videos (incl. introduction & conclusion) | 150 Minutes



Have you ever wanted a compendium of right hand techniques for your guitar? Have you ever faced the question which technique to practice next? If the answer is yes then do not stop reading since I have got a course for you that might easily answer all your questions.

50 Right Hand Techniques You Must Know by Muriel Anderson, published by Truefire.com, is a collection of no less than fifty techniques you can use with your right hand. No matter if you are into Blues, into Jazz, Folk, Funk, etc. here in this course you’ve got all you need to further refurnish your fingerpicking technique on the guitar.


Many styles share common techniques, such as palm muting, harmonics, percussion and tapping. With that being said, in this course you are going to learn something universal; something that you can apply over various musical styles, stunning your audience with techniques that not only look great but also give your playing a distinctive touch!

If you are a songwriter you may consider implementing some of these techniques into your songs to make them more challenging or more fun to play. Who knows, maybe you can use these techniques as inspirations to create own techniques, own variations that you will be known for.

With all that summarizing the course per se, what can you actually expect from the course? Well, let me provide you with an answer to it: Over the course of 50 lessons, you are going to be introduced to a particular technique, with a high-quality video in which the lecturer, in this case Muriel Anderson, explains, illustrates and breaks down the technique.

You are not only going to receive visual input, but also auditory! Listening to how the technique should sound like and watch Muriel playing it almost simulates a 1on1 session with an instructor.


Do not forget that whatever the technique might be that you are learning, you are still required to put effort into it and practice the technique. Some of the techniques in this course, such as hand position, thumb position and palm muting, are very basic, very simple and should belong to everyone’s repertoire of right hand techniques. However, if you are into Flamenco and all the Spanish guitar styles you are certainly familiar with the different types of strokes that exist; i.e. Rasgueado.

The courses are clear cut and well structured. In my opinion, they partially even increase in difficulty which is great if you want to challenge you with each lesson. However, the only drawback I see with them is that there is no additional material for the viewer to practice. So what you have got here is literally a course that introduces you and shows and explains you the various right hand techniques that exist, rather than a workshop in which you are encouraged to further practice your newly acquired skills.

On the other side, considering what this course contains, you are most likely to be busy for a very long time, no matter how long the videos are. Those techniques are, not by chance, considered the very fundamentals of right hand techniques and you are well advised to spend some time and work on them. It will be beneficial; not just for you, giving you the feeling of accomplishment, but also for your audience, who will be bound to your playing and admire the techniques and sounds that you are able to create thanks to your finely forged technique.

I feel really good about this course; there is something for all types of players as well as all levels of players. You get clear cut video instructions to practice the learnt techniques at home. I, for my part, am happy that I was able to have a look at this course and I would definitely recommend it to my students! Well done Muriel Anderson and definitely well done Truefire.com for providing such an important toolbox for each single guitarist out there!


Lukas Wedrychowski

MeridirhProductions – ‘cause music matters


This DVD was provided by Truefire.com

#Let’s Play | Mary Had a Little Lamb – Version in Am | Arr. by Lukas Wedrychowski

Hey everyone


here’s a new video! It’s my rendition of the famous tune “Mary had a little lamb”, but in Am. It’s darker than the original but something that I found still fitting if we consider the times we live in.

I hope you enjoy it! 🙂


#ProgressLog | Guitar (Y1/W1)

Hey everyone,

so here’s my weekly progress entry. For the better part of the week I’ve been stuck with Für Elise which is a real blast! It is probably the most difficult piece I’ve studied so far. That’s the reason why I haven’t managed to fully learn it but I will keep it in my plannings for the next “Classical week”, when I will most likely finish it completely and record what I’ve got! However, I’ll make sure to upload regular updates on how I progress on that piece.

My practice schedule so far was pretty straight forwards. I figured out the chords and basic patterns that I needed for this piece and isolated them in my practice. So far the changes go relatively smoothly, however, there are still some that require futher practice (in particular those who require a three-string-barring with a single finger).

Year 1 (2017) – Week 1

Guitar | SUMMARY

  • Repertoire
    • Classical:
      • “Für Elise” by Ludwig van Beethoven (Part A + B finished, although B not recorded yet)
  • Theory
    • Scales:
      • Major Scale (D, A, F, B) ==== Theoretically I know these scales now by heart.
      • Minor Pentatonic Scale (2nd box) ==== Didn’t manage to get this one done.
    • Chords:
      • Am, E, F ==== Done!
    • Key signatures
      • Repeating C, D, E, F, G, A, B ==== I managed to learn C, D, E and F but not the rest.
    • Intervals
      • Root to perfect 8th ==== Done!
  • Technique
    • Spider exercise ==== Done!
    • Scale practise
      • Major Scale(D, A, F, B) ==== I only managed to practice D, A and F
    • Chord Practice
      • Am, E, F ==== Done! Although some inversions require some stretches.
    • Rhythm Practice
      • Standard 4/4 fingerstyle pattern (4) ==== Done!
    • New Technique
      • Basic percussive elements ==== Done but not yet repeated. Probably the upcoming week!

Alright that was quite something! As I once said I will most likely be able to do vLog summaries of my weekly practice sessions at the start of mid-february since I’ve got a huuuuuge exam coming up and I can’t find the time to set up everything properly for that yet. So until mid february you will get these pure text-based lessons with some clips of the pieces that I recorded so far.

Here’s part A of Beethoven’s “Für Elise”! Sorry for that one mistake! I promise once I finished the piece I will record it without any mistakes at all ! :^)

Year 2 (2017) – Week 2


  • Repertoire
    • Classical:
      • “Für Elise” by Ludwig van Beethoven (practicing the current two parts)
    • Spanish / Flamenco:
      • “Study in Dm” from “Spanish Guitar 1” by “Guita-in-a-nutshell.com”
  • Theory
    • Scales:
      • Major Scale (D, A, F, B)
      • Minor Pentatonic Scale (2nd box)
    • Chords:
      • Am, E, F
    • Key signatures
      • Repeating C, D, E, F, G, A, B
    • Intervals
      • Root to perfect 8th – Repetition
  • Technique
    • Spider exercise (Warm up)
    • Scale practise
      • Major Scale (D, A, F, B)
    • Chord Practice
      • [to be announced]
    • Rhythm Practice
      • Standard 4/4 fingerstyle pattern (4)
    • New Technique
      • Basic percussive elements

Basically my practice remains unchanged with the exception of the chords, the patterns and the song that I will be practicing. 🙂 Stay tuned for more!