Welcome two new members to the family :-)

Hey everyone,

 

I’ve got some big news!  There are two members joining my instrumental family. A few days ago I’ve acquired these two lovely instruments *_*

I can’t tell you how much I’m looking forward getting started with them! Over the last couple of months, I’ve been listening to these instrument on YouTube and other sites and I really fell in love with them. So I went ahead and got a cajón from Schlagwerk!

In my opinion, the cajóns from Schlagwerk are by far the best sounding ones and I’m really happy that I was lucky enough to acquire one on a relatively low price (thanks ebay).20170613_124026

Here it is!  A Madagascar cajón from Schlagwerk; 🙂

The other one is an old-time favourite of mine (nope, not due to The Legend of Zelda)… the OCARINA!

20170613_124007

Here it is! It’s a non-name product for about 13-20€. It isn’t properly tuned which makes it hard to play with other instrumens. That’s why I’m looking to purchase one from Thomann, Europe’s biggest vendor for musical equipment, in hope that the Ocarina is properly tuned :^)

 

Anyway, expect some new stuff with those two beauties!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

#ProgressLog | May 2017

Hey everyone,

 

I am a bit late, sorry for that! I have something big to announce, though!

Here’s my practice plan for May; what I did there and how it went

 

Let’s start with the guitar:

Technique:

  • Etude: Fernando Sor Op. 60 No. 1
  • Scales: C-/D-/E-/F- Major Scale
  • Chords: Open Chords (revised) + some inversions of C + D + E
  • Rhythms: Some Waltz Rhythms
  • Techniques: Harmonics (more to come in June 2017)

I started my first classical etudes with Fernando Sor’s Op. 60. Those studies are some of the finest I’ve come across so far and I love them! They sound beautifully, they are short and they allow me to practice certain areas in depth.

For the scales, I’ve actually revisited my common major scales because I am currently working on more arrangements of classical songs and those are mostly written in the key of C, using the major scale for their melodies. That’s also the reason why I chose to revise those open chords again.

The waltz has been something I wanted to look into, particularly for what I’ve planned for July! That’s the point where I finish my “beginner”-level stuff and move on to the intermediate section. I just want to be sure that I cover everything I set for myself as a “beginner” before I move on.

Last, but not least, the harmonics. This neat little technique is something I’m so fond of! I really love it! At the moment, I’m trying to incorporate it as much as I can, writing songs and using it for my intermediate arrangements.

Theory:

  • Chord progressions
  • Classical Era
  • Fernando Sor biography
  • Harmonics

Repertoire:

  • Irá al jardin inglés (recording)

 

 

 

Now, let’s move on to the piano:

Technique:

  • Etudes:
    • John W. Schaum: Finger power 1 No. 1
    • John W. Schaum: Finger power 1 No. 2
    • John W. Schaum: Finger power 1 No. 3
    • John W. Schaum: Finger power 1 No. 4
    • John W. Schaum: Finger power 1 No. 5
    • John W. Schaum: Finger power 1 No. 6
    • John W. Schaum: Finger power 1 No. 7
    • John W. Schaum: Finger power 1 No. 8
    • John W. Schaum: Finger power 1 No. 9
    • Béla Bartók: Makrokosmos 1 No. 1
    • Béla Bartók: Makrokosmos 1 No. 2a
    • Béla Bartók: Makrokosmos 1 No. 2b
    • Jelena Gnessina Etude in C
    • A. Schmidt: Etude in C
  • Scales
    • C Major Scale
    • D Major Scale
  • Chords
    • Major Chords: C – D – E – F – G -A – B
  • Rhythms:
    • 4/4 – all 4th notes
  • Technique:
    • Velocity

Theory

  • Classical Era
  • Russische Klavierschule Band 1 – p. 1-21

Repertoire

  • Ode to Joy
  • Mary Had a Little Lamb

 

 

Violin

Technique

  • Etudes: (unknown) basic bow strokes
  • Scales: C major scale
  • Bowing: détaché
  • Rhythms: 4/4 4th rhythms + 4/4 alternate
  • Technique: Bowing technique

Theory

  • Classical Era
  • David Garrett biography (documentary)

Repertoire

  • Ode to Joy (own arrangement)

 

 

50 Right Hand Techniques You Must Know by Muriel Anderson and Truefire.com

50 Right Hand Techniques You Must Know by Muriel Anderson and Truefire.com

 

Author:             Muriel Anderson

Genre:              Acoustic / Universal

Style:                Fingerstyle / Universal

Level:                Beginner / Late Beginner / Intermediate / Late Intermediate / Advanced

Features:          Tabs (.pdf) & GP5 files

Lessons:          53 Videos (incl. introduction & conclusion) | 150 Minutes

 

 

Have you ever wanted a compendium of right hand techniques for your guitar? Have you ever faced the question which technique to practice next? If the answer is yes then do not stop reading since I have got a course for you that might easily answer all your questions.

50 Right Hand Techniques You Must Know by Muriel Anderson, published by Truefire.com, is a collection of no less than fifty techniques you can use with your right hand. No matter if you are into Blues, into Jazz, Folk, Funk, etc. here in this course you’ve got all you need to further refurnish your fingerpicking technique on the guitar.

1

Many styles share common techniques, such as palm muting, harmonics, percussion and tapping. With that being said, in this course you are going to learn something universal; something that you can apply over various musical styles, stunning your audience with techniques that not only look great but also give your playing a distinctive touch!

If you are a songwriter you may consider implementing some of these techniques into your songs to make them more challenging or more fun to play. Who knows, maybe you can use these techniques as inspirations to create own techniques, own variations that you will be known for.

With all that summarizing the course per se, what can you actually expect from the course? Well, let me provide you with an answer to it: Over the course of 50 lessons, you are going to be introduced to a particular technique, with a high-quality video in which the lecturer, in this case Muriel Anderson, explains, illustrates and breaks down the technique.

You are not only going to receive visual input, but also auditory! Listening to how the technique should sound like and watch Muriel playing it almost simulates a 1on1 session with an instructor.

2

Do not forget that whatever the technique might be that you are learning, you are still required to put effort into it and practice the technique. Some of the techniques in this course, such as hand position, thumb position and palm muting, are very basic, very simple and should belong to everyone’s repertoire of right hand techniques. However, if you are into Flamenco and all the Spanish guitar styles you are certainly familiar with the different types of strokes that exist; i.e. Rasgueado.

The courses are clear cut and well structured. In my opinion, they partially even increase in difficulty which is great if you want to challenge you with each lesson. However, the only drawback I see with them is that there is no additional material for the viewer to practice. So what you have got here is literally a course that introduces you and shows and explains you the various right hand techniques that exist, rather than a workshop in which you are encouraged to further practice your newly acquired skills.

On the other side, considering what this course contains, you are most likely to be busy for a very long time, no matter how long the videos are. Those techniques are, not by chance, considered the very fundamentals of right hand techniques and you are well advised to spend some time and work on them. It will be beneficial; not just for you, giving you the feeling of accomplishment, but also for your audience, who will be bound to your playing and admire the techniques and sounds that you are able to create thanks to your finely forged technique.

I feel really good about this course; there is something for all types of players as well as all levels of players. You get clear cut video instructions to practice the learnt techniques at home. I, for my part, am happy that I was able to have a look at this course and I would definitely recommend it to my students! Well done Muriel Anderson and definitely well done Truefire.com for providing such an important toolbox for each single guitarist out there!

 

Lukas Wedrychowski

MeridirhProductions – ‘cause music matters

 

This DVD was provided by Truefire.com